“We Invited Her Thrice But She Went To Lagos Carnival” — ABU Carnival Queen Calls Out Culture Minister Hannatu Musawa For Ignoring Northern Culture

400-level Archaeology student says minister attended Lagos carnival but snubbed ABU three times despite students travelling to Abuja to deliver invitation letters

The viral Queen of the Ahmadu Bello University (ABU) Zaria cultural carnival, Suwaiba Abdulkarim, has accused the Minister of Art, Culture and Creative Economy, Hajiya Hannatu Musawa, of neglecting Northern culture after she allegedly ignored three official invitations to the university’s carnival while attending the Lagos carnival.

Suwaiba, a 400-level Archaeology student who has become a national sensation for her daring traditional outfits, made the remarks in an interview with RFI Hausa, expressing disappointment over what she described as systematic marginalization of Northern cultural promoters.

“We formally invited the Minister of Culture, Hajiya Hannatu, three separate times but she never showed up. Yet we saw her at the carnival in Lagos and honestly, that was really painful and disappointing,” Suwaiba said.

“Students of ABU travelled all the way from Zaria to her office in Abuja with their own money to deliver the letter, but she kept giving excuses that she was not available. She did not come, she did not send a message and she did not even send a representative.”

She said the minister’s attitude reflects a broader problem facing Northern youths.

“It is not just her. When we in the North submit letters, they just leave them on the table. No follow-up, no message, no delegate.”

“We Do Things But Our Voice Doesn’t Go Far”

Suwaiba, who identifies as being from a royal family, said Northern cultural events do not get the same promotion and acceptance as those in other parts of the country.

“As for us in the North, I don’t know what our problem is. We do things but our messages never seem to reach anywhere. In other places, when they do the same thing, you see them getting accepted immediately. Frankly, I just don’t know why Northern culture is not being promoted,” she said.

She contrasted her experience with that of queens in southern universities.

“The biggest challenge is after buying the form, paying for the title, hiring musicians and guards and putting in all this effort, once you step down tomorrow, nobody recognizes you anymore. Look at the University of Lagos, when their queen wins their cultural carnival, for that whole year she is involved in government events, corporate endorsements. We need equal recognition.”

From Sulke To Yar Kura: Three Years Of Reinvention

Recounting her journey that started in 2024, Suwaiba said she wanted to do something different for the school durbar.

She said she called her cousin to advise her on an outfit and he suggested ‘sulke’ – the heavy chainmail armor worn by ancient warriors.

She procured it and hired traditional drummers, but was disappointed on the day of the event when the drummers demanded extra money after being paid in full.

“My cousin had to travel all the way to Giwa town to source new drummers. Luckily we were not humiliated and we completed 2024,” she said.

But her debut attracted trolling online.

“When I went to the comment section after wearing sulke in 2024, people were saying ‘Is this a man? Is he crazy? Is this really a woman?’ The comment section was not pleasant.”

Determined to continue, she entered again in 2025 but had to go through screening and interviews because of high interest.

This time she chose ‘shuni’ – the black indigo-dyed cloth known as ‘Yar Kura’ – a royal turban that stains the skin, traditionally worn by kings, district heads and title holders. She paired it with a Queen Amina-inspired wrap and a ‘yauki’ – a brocade outfit worn by royalty.

Again she faced online backlash. “They said ‘This is the queen of mad people.’ The feedback was still harsh. But I said we move forward, never backward.”

For 2025, she brought in ‘shantu’ – gourd horn musicians – which she said drew a huge crowd.

For 2026, she decided to create suspense. Despite speculations that the school had taken over the title and she would not return, she bought the form again, paid for the title and attended the interview.

“They said ‘You already know royalty because you are from a royal family and you understand its traditions.'”

She deliberately misled people about her costume, telling everyone she would repeat the sulke.

“The school had no idea what I was going to wear until I actually mounted the horse. I stayed inside a car until the moment I rode into campus. When I finally got on the horse, people started shouting ‘It’s her! It’s her! Wallahi, it’s not her!’ Some said it was me, others said it wasn’t.”

Suwaiba said despite the fame, Northern carnival queens are left without institutional backing, sponsorships or platforms that their counterparts in Lagos enjoy.

2 thoughts on ““We Invited Her Thrice But She Went To Lagos Carnival” — ABU Carnival Queen Calls Out Culture Minister Hannatu Musawa For Ignoring Northern Culture”

  • Taiye Ademola

    This is actually a serious issue that deserves attention. If these allegations are true, then it is disappointing that a Minister whose responsibility includes promoting Nigeria’s arts, culture and creative economy would repeatedly ignore an invitation from one of the country’s most respected universities, especially after students reportedly made efforts and spent their own money to deliver the invitations.

    Nigeria is blessed with diverse cultures, and Northern culture deserves the same recognition, promotion and institutional support as every other region. Cultural development should not be concentrated in one part of the country while other regions struggle for visibility and sponsorship.

    Suwaiba’s story also shows the determination and creativity of many young people in the North. Despite criticism, trolling and lack of support, she continued to represent and promote her cultural heritage. Imagine how much more young cultural promoters could achieve with proper government attention, sponsorship and platforms.

    Northern culture is rich, beautiful and historically significant. It should not have to fight this hard just to be seen. Equal recognition and support for every region is not too much to ask.

    The Ministry should listen to voices like this—not because one region is more important than another, but because every part of Nigeria deserves to have its culture celebrated and preserved.

    Reply
  • Taiye Ademola

    She makes a very valid point about institutional support and equal visibility. Traveling all the way from Zaria to Abuja on a student budget just to hand-deliver an invitation, only to get completely ignored without even a delegate being sent, is genuinely disheartening.
    ​It is disappointing when public officials overlook deep-rooted, student-led cultural movements in the North while prioritizing heavily commercialized events in the South. Suwaiba’s resilience and dedication to preserving Northern heritage—from using authentic sulke armor to highlighting traditional Yar Kura—deserves real recognition.
    ​If the Ministry of Art, Culture and Creative Economy wants to build a truly inclusive creative economy across Nigeria, initiatives like the ABU Cultural Carnival need the exact same official backing, government presence, and corporate visibility as major events in Lagos.”

    Reply

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